This is where things get murky, though. Almost nobody plays these games one hundred percent RAW. Groups are filled with little quirks or modifications to the rules. Game masters tweak the rules to their liking, or fill things in when RAW has a gap. The truth is, because of the frequent use of house rules in these types of games, almost nobody plays them RAW.

Admittedly, I’m a bit of a rules lawyer. I’m the type of game master who leans heavily on RAW. I find that the more I stray from RAW, the greater the chance that I’m potentially going to make the wrong call or a controversial call on a rule while playing. I like to be fair with my players, and the goal, first and foremost, is to have fun. Consistent rules means that player expectations get met, and it’s rare that somebody is unhappy to see a rule as written in a book.

Lately though, there’s been a trend. I’ve seen heavy criticism against game publishers who don’t fully flesh out every nook and cranny of their rules system so that every possible situation can be handled. I think this is unrealistic and has the chance to make things un-fun very quickly. Too many rules in a game makes things overly complex. It means players spend more time hunting through rule books trying to find just the right rule to handle a specific situation than actually playing the game.

The goal is to have fun, after all.

I think if a publisher can give a framework for a system, and fill in some of the details, or give examples, it leaves a lot of flexibility open to the game master to decide how to handle things. So long as the game master doesn’t have to basically invent the whole rule system themselves, I think this makes for a decent system. Give the high-level overview of the rules, and enough detail to run a smooth game without getting mired in the details. Then let the game masters fill in the rest. In my experience, that’s what good game masters do anyway.

As a player, trying to insist that every game master adhere strictly to the rules as written can lead to arguments, and potentially robs the game of its fun. Most tabletop systems specify that it’s ultimately up to the game master to decide what rules they do and don’t follow, and many systems offer optional rules that game masters can choose to use. It’s about flexibility, because not every player and game master experiences the game in the same way.

One of the first questions I ask game masters when I join their group is: are there any house rules I should know about? I don’t like surprises, and finding this out up front means that I can be comfortable when I want to try something, or use a specific attack or ability, and won’t get blindsided by a house rule that could derail my attempt to play my character the way I want to play them.

Ultimately, players and game masters find a balance. Some groups are very strict with RAW, and others are very loose. Making sure your players have appropriate expectations means fewer surprises during game play, and less potential for hurt feelings when things inevitably don’t go their way. The dice are sometimes cruel.

Always remember: no matter what, the goal is to have fun, and if you’re a game master, to make sure your players are having fun. Whether you follow RAW, or make it up as you go, I hope all of your die rolls end up in your favor.

As a writer, I hold myself accountable for the work I do (or fail to do), but honestly, I haven't been doing that lately. Loads of people know that I write. Not everybody knows the honest status of my current projects.

Lies. I'm not getting through it. I've been having a lot of trouble focusing on writing, and part of it is just the nature of how my mind works. It likes to focus on one thing at a time. The sad curse of it is that it doesn't always focus on one thing to completion. Sometimes it gets distracted and decides it wants to focus on something else for a while.

I hate that.

What it means is this: all I can focus on is what my brain tells me it wants to focus on. Sometimes it's card games, sometimes it's a particular video game, and sometimes it's writing. But lately, it's been mostly not writing.

I have to work hard to stay focused on things that aren't what my mind wants to focus on. Everything is a distraction. Everything else becomes more interesting than what I'm choosing to work on, and then that's not interesting any more either, until I get back to what my mind wants to do. It's a genuine struggle.

So there hasn't been much from me lately.

There's probably a name for what I have. Ask my wife, and she'll express her frustration at a husband who can be so focused on something trivial like reading an article or playing a game, that nothing else penetrates that shell. But what's worse, is that a subconscious part of my brain tries to shield me from the outside world by providing meaningless responses to external stimuli.

It requires effort to shift my focus, and then effort to shift it back.

Thing is, you... my loyal subscribers. My fans. The people who support me. You deserve better. My wife and family deserve better as well.

I'm trying.

NaNoWriMo is coming up soon. This will be my 8th year attempting it. Last year I barely scraped in, but I managed to finish. This year? I haven't the slightest idea what I'm going to write. I've barely even given it any thought. Heck, I've barely thought about the writing projects I have going on already.

So here's my commitment to you, as an author: There will be something new published by me in 2018. And it will be my best yet.

For your support, for your patience, and for all you've done for me, you deserve it.

Time to bleed.

Change the Scenery

Sometimes, something as small as a new paint color on the walls is enough to make you feel better about your work. For writers, it's important to do your work in a place where you're comfortable, and the color on the walls affects you and your mood more than you might realize. Other ways to change the scenery would be to go to a local coffee shop to work, or just change which room you're in. A change in scenery can make a big difference in your mood, and subsequently improve your productivity.

Work on Something Else

I know we all have projects to get done, but forcing yourself to work on something won't do you any favors, nor will it do your work justice. Writing (and other academic activities) requires a clear head, and novels require a certain mindset. The characters need to speak to you, and if that isn't happening, you'll frustrate yourself. So switch gears. Write a blog post, or do something non-writing related. I started playing Magic: the Gathering again, and though this does take up some time, I find devoting some time to a leisure activity can help bring your mind back to a productive place.

Take a Break

I released my last book in spring of 2014, and though I participated in NaNoWriMo last fall, I pretty much tossed everything I wrote then. I've also been trying to get The Spell Breaker done, but I needed to back away from everything writing and just focus on sorting out my life. This should definitely not be a permanent situation though. Taking a break from your work, and coming back to it when you start to feel better can help lift you up even higher, and you might just find that it was just what you needed in order to finish that big project.

Get Help

Talk to somebody about what's bothering you. I'm a very lucky person in that I have a very understanding wife who listens to me, and helps me through this stuff. I don't know what I would do without her. Find somebody to talk to. It doesn't have to be your spouse, or even a family member. It could be a friend, coworker, or even a complete stranger. Seeking professional help is also helpful, especially if you find yourself falling into a deep depression. Luckily, my slump never went that far, but it could have, and it does for some people. If this is happening to you, you're not alone; there are loads of people who are willing to listen. Give them a chance.

Don't Give Up

Whatever you do, don't ever give up on yourself. It's challenging to break out of a downward spiral, but it can be done, and you definitely don't have to do it alone. Keep telling yourself that you can do it, and keep looking for a way out of the depression. If none of the things in this post work for you, search for other answers, or try them again. Yesterday's setbacks can become tomorrows gains. Above all else, know that you and your work are worth it. Success leaves you with a very good feeling, no matter how small the success may be. If you've been having trouble just getting up in the morning, and you're out of bed now, that's a win.

If you have any other suggestions as to how to break free from the slump, please share them below in the comments. You never know when your suggestion could help get somebody else's life on track.

Two and a half years ago, at the beginning of 2013, I stepped on our trusty bathroom scale, and nearly had a heart attack. The scale read 253 lbs. This was the first of my epiphanies that led to a large amount of change in my life. Since then, I've taken control of my life, and lost almost 80 lbs, and am still working on the last little bit. I look better, I feel better, and I'm no longer afraid that I won't be around to see my two daughters grow up.

A little over a year ago, I realized that I was very unhappy with my employer. This was my second big epiphany. I had been working for a local company, maintaining their custom ERP system, and I learned and grew a lot in that position. Alas, that company was taken over by a much larger corporation, and their new way of doing business didn't jive with me. So I made the difficult decision to leave them and take a job with a company that is an hour drive away. Fortunately, the commute is actually the worst part of my job. I now work for a company called IGLOO Software, doing database development. I'm happier than I've ever been in a job, and just celebrated my one-year anniversary there.

With all this change going on, I realized today, that for a writer, I don't seem to be doing much writing lately. After analyzing my web stats, which I haven't looked at in forever, I realized that my numbers have been dropping steadily month over month. This leads me to my third major epiphany... in order to call myself a writer, I need to actually write. My hope is that writing on the blog again will help me declutter my head, and lead to some more creative thoughts that will help me get my next book done, which I've been having a lot of trouble with. The good news is I'm back on track, and have a good idea of how to round out the book and finish the story.

All told, this has been some very positive change. I'm happier, healthier, and am going to start producing again. I have a pretty good idea of what I'm going to do for NaNoWriMo this year, and will be attending a local comic-con in October. With any luck, I'll have the new book ready by then, and will be able to launch it at the event. Stay tuned for more details on that.

As always, thanks for reading, and thanks for hanging around. I hope you'll come back and see what else pops up on here in the coming weeks/months, and hey... if you have any ideas that you'd like to see explored here, leave them in the comments below.

This leads me to the purpose of this post, and something different that I've never tried before. National Novel Writing Month (NaNoWriMo) is right around the corner, but I have a problem. My latest book, The Spell Breaker, isn't finished yet. Normally, I would start the next book in the series during NaNoWriMo, but I can't very well do that, now can I? This means I have to come up with another idea.

Well, my brain has been on overdrive, and now I have two ideas, both of which I am keen on trying out. I like them equally, and have been unable to decide which to take on. Luckily, I have a fantastic group of friends and fans who are always willing to give me feedback, so now here's your chance.

Over the next week, I'll collect votes from you all on the ideas posted below, and then decide based on that feedback which one I want to write. All feedback will be considered, but there will be an informal poll at the end of this post where you can simply vote for one idea or the other. At the end of the day, it will still be my decision as to which one I will write, but your feedback could shape my next novel, and I may decide (based on the feedback received here) to give you additional opportunities to decide how the plot unfolds.

So... without further ado, here are my ideas:

There you have it. My two possibilities for this year's NaNoWriMo. I look forward to reading your feedback and seeing how the votes go. One idea will challenge my skills and push my limits as a writer, the other will advance the series I'm already writing!

Here are the details:

Hart Johnson

Hart has her books, A Shot in the Light I-IV, and A Shot in the Light V-VIII on sale this week for $0.99. These books are thrillers about an avian flu outbreak. You should check them out!

A Shot in the Light I-IV

A Shot in the Light V-VIII

Lynette Ferreira

Lynette brings to the table two vampire books that will knock your socks off. Both for $0.99 each.

William The Damned (A Vampire Pirate)

The Vampire Pirate's Daughter

Jade C Jamison

Take a walk on the wild side with Jade's entire sexy collection, all on sale until the release of her next novel, Finger Bang.

Find all of Jade's novels at her Amazon Author Page

Don't Forget About Me!

All three of my epic fantasy novels are on sale all this week for $0.99 each. If you're looking for a great fantasy adventure, you've come to the right place. Don't believe me? Check the reviews on my Amazon page for each book.

The Time Weaver

Legacy

Reprisal

Thanks!

I appreciate every single person who comes to visit this site. If you like seeing deals like this, or know of any other deals going on right now, let me know in the comments!

So why is this year's Amazon Breakthrough Novel Award contest any different?

Perhaps a little background on the contest, for those who don't know. The Amazon Breakthrough Novel Award, or ABNA as most people call it, is held every year by Amazon to find the best and brightest new authors and books in the industry. I entered the contest for the first time in 2011 with my debut novel, The Time Weaver, and didn't make it past the first round.

The pitch round.

That is the source of my anxiety. A 300-word pitch that gets judged by Amazon editors, and only two thousand out of ten thousand entrants will move on to the second round. Why should I be so confident that I will make it? Because for the last four years, I've spent time helping countless writers hone their pitch for this contest. Many of them have made it through.

I haven't.

Three years I've entered ABNA, and three years I've failed to move on. I try to put on a happy face and cheer on my other friends, but there's always a part of me that burns up inside, wondering what I did wrong, or how I could have written a better, stronger pitch, so that it would make it through along with my friends.

Amazon gives us no feedback on the pitch. Either you make it through, or you don't. So I'm left a veritable expert on how to write a great pitch for a story who can't come up with something to get my own book through the first round.

This brings me back to the source of my anxiety.

I've entered The Time Weaver one last time. Fourth time's a charm, right? Thing is, if it doesn't make it through this year, it will likely be the last time I attempt it for The Time Weaver. Because what's the point of beating a dead horse? When the contest comes around again, I'll have The Spell Breaker ready to enter, and maybe have a better chance at coming up with something great to get it through.

In the meantime, ABNA 2014 is under way. My entry is in, my pitch is written, and I've done everything I can in order to get it through this year. All I can do it sit around and wait in an ever-building pool of anxiety for March 18, and then search for my name on the list of those who made it through.

Wish me luck.

But... I do have some happy news to share today.

The third and final book in The Time Weaver Chronicles, Reprisal, is now live on Amazon. Today is release day, and a very happy day for me.

A little over three years ago, I started writing. Back then, I never would have imagined that what came out of my imagination would become three full length novels. With the help and support of many friends and family, I've published them and become a reasonably successful independent author. I could never have done this alone.

So what is this new book about? Here's the description:

Can you feel the excitement? I know I can.

If you've never read The Time Weaver Chronicles, start here with The Time Weaver. Then move on to Legacy.

Finally, finish off with Reprisal.

So if you're looking for a good book to read, I've got three now available. And if you're looking for more tips, tricks, and publishing wisdom, I'll start making regular posts again, just for you.

Thanks for being part of my journey, and I hope you'll stick around to see what happens next.

What's it All About?

Building a world or universe is a massive undertaking. Consider our own universe from the top down: The universe is made up of empty space, interspersed with galaxies, which in turn are made up of billions of stars, each of which might have one or more orbiting bodies that make up a solar system. Each planet has its own conditions: gravity, atmosphere, weather, land masses, water, life, economics, religions, races, animals, microbiology, geology, technology, and maybe even a little magic. Crafting all the intricacies of a world down to the finest details can take years.

You don't have to do it all at once though. I've spent the last twenty years building worlds and writing stories for games, and I have yet to come to a point where I would consider my world-building to be done. The thing is, once you get started you'll realize that if you focus too much on getting every detail right, the world will feel less organic. Living worlds are always in flux, so it's really hard to get the details down before they change again.

The Reason

There are many published settings and worlds out there for you to choose from, so why build one of your own? Actually, you may find that using a published system is right for you. That's perfectly fine. Some of us just can't. We need the control, and the reward that comes from starting with a blank sheet of paper and making something beautiful out of it.

Start at the Beginning

World building needs to start somewhere, and this is where a division begins to form. There are two types of world-builders: writers and thinkers. Whether you are one or the other will depend a lot on how you process information. Writers will jot everything down, and will likely have binders or notebooks packed with notes, sketches, stories, tables and anything else they need to make the world run. Thinkers, on the other hand, will have very few notes, and will keep a large portion of their world in their head. Personally, I'm a thinker.

Whatever your process is, the start of world building should be a goal. What are you trying to accomplish by building the world? Is it for a game with a small group of players? Are you trying to create something that you can publish for the world to use? Are you writing a novel which is set in your world? Once you figure that out, the goal is simple: build as much as required to accomplish your purpose, and nothing more.

That's the deadly secret of world building: you don't need to flesh out every detail of a world in order to make it feel real. You only need to fill in the details required to accomplish your goal. The thing is, if you are filling in details that will never be read or used, what's the point? You can drive yourself mad trying to fill in every detail. It would take you a lifetime, and you still wouldn't get it done. Once you have enough detail in your world to satisfy your goal, stop.

Choose an Approach

How to actually go about starting your world will depend a lot on what kind of personality you have. You can start with the high-level concepts and then break them down into details (a top-down approach), or you can start with the details and work your way up from there (a bottom-up approach). Both approaches have their merits, and will both produce a usable world.

Using a top-down approach is better suited to building a world that you plan to publish. It will produce a world that is broken down into details that all support the high-level concepts. Some people work better this way, and can produce a nicely meshed, believable world using this approach. The downside to this approach is that it's a lot of work before you have something that is usable in a game or story.

The bottom-up approach is what I use, because that's how I think. I have details that I know I want to include, and so I start from there and work my way up. This approach tends to work better for stories or novels, as there is less work up front in order to create a functioning world. It's faster than the top-down approach, but can leave you filling in a lot of details on the fly, and can create some consistency problems if the details you want don't work well together.

What's Next?

As you get further into world building, you'll discover new things about your world, and new techniques that can be used to make that world run smoother and feel more realistic. In the coming weeks, I'll be posting additional world-building articles about geography, landmarks, cities, history, races, religions, deities, magic, politics, and much more. I hope you'll stick with me, as I have a lot more to give.

It was legitimate and looked like the presenters really wanted to find the best of the best out of all independent works on the market today. Problem is, the entry fee was $199 USD. I was shocked.

How is an independent author supposed to afford to submit their book to even one of these awards at this price, let alone all of the awards out there. With entry fees like that, you'd think you'd get some kind of publicity or something just for entering, but not so. If you don't make the cut, your money is gone. $199 for what amounts to a shot in the dark.

I get it. I really do. The people organizing these awards don't have time to sift through the gobs and gobs of slush they would likely get if the award were free to enter. On the other hand, the entry fee for this particular award is so high, it's prohibitive. What you really get, when they choose the winner, is the best book out of those who could afford to enter, and not by any stretch an accurate cross-section of the market.

What this does is narrow the market, but I don't think it narrows it in a good way. If readers knew that the award an author is boasting about on their cover carried an entry fee of $199 or more, do you think they would pay much attention to it?

I've entered a number of awards since I first published The Time Weaver. Some (Amazon Breakthrough Novel Awards, Brag Medallion, KBR Best Books of 2012) I didn't make the cut, and yet I won an indiePENdents Seal of Good Writing for The Time Weaver. The common threads amongst these were: they were free or cheap (<$20) to enter, and the playing field was level.

With a prohibitive price tag, many awards out there appear to cater to the elite: those few lucky authors who caught a break and are selling loads of books, or those who have been at it long enough to build up sales enough to afford it. At what point do we take a step back and realize that the next great novel could already be published out there, and just hasn't had the publicity to get it moving?

I don't for a second believe that a single award will change the fate of a book or author. But I do believe that a prohibitive price tag really diminishes the legitimacy of the award. Are they really trying to find the greatest books in independent publishing? Or are they just trying to make a quick buck by giving people a flashy, meaningless title?

I guess you'll have to decide for yourself.

I never want to see anyone else burned like that, because even though I lost nothing on the deal, it still hurt a lot to find out that somebody who acted like such a friend was such a snake.

The publishing industry has gone through some wonderful changes recently, but these changes have also blurred the lines and make it tough to figure out who is for real, and who is just in it for the money. Here's a quick guide to help you navigate the minefield, and hopefully keep yourself from getting burned.

If It Sounds Too Good To Be True...

When I was approached by a publisher, and told that they would have my books in bookstores, and they would have hardcovers and paperbacks, and would be able to get great prices on it all, it sounded too good to be true. They promised that they would put me on the map as one of the leaders in indie publishing. Big promises often lead to big disappointments.

Any publisher making claims like this should be treated with caution. How many authors do they currently have under their name? What are their sales like? Can they show you reporting that proves out their claims? What are they willing to do for you as far as marketing goes?

If they have trouble answering even one of these questions, you should be very cautious in dealing with them. The publisher I dealt with had a number of authors under them, and books were being published. Problem was, none of the authors were being paid. The leader of this group was so convincing, that I think some members even today believe that he would have done great things for their books. Truth was, he did nothing.

Research Your Options

Information about publishers is a Google search away. If they don't have an established web presence, there's a good chance that you don't want to deal with them. Think about it... if they can't get themselves to the top of Google's search, how can they possibly get your book there?

There are also sites out there that can give you a good idea of a publisher's reputation. Preditors & Editors is one of the most prominent sites, and has a fairly extensive alphabetical list of publishers and what kind of rating they give them. A not recommended rating from Pred-ed means you almost certainly don't want to deal with that publisher.

Find the publisher's books on Amazon and read the previews. Poorly edited books mean that the publisher isn't concerned with putting out a high quality product, and to me, that's a big problem. You can also contact the authors to see what they think of the publisher.

Don't Give Them Money

A publisher who is out to make you a success will never ask you for money. A publisher should be paying you, not the other way around. If they ask you for money, walk away. Seriously. It may not be a scam, but they certainly aren't keeping your best interests at heart.

Beware The Murky Agreement

Anything that goes on between you and a publisher should be in writing. What services they provide for you, what they expect from you, royalty rates... everything. If they avoid the issue of a contract, or scoff at them, I don't recommend doing business with them. Without having an agreement in writing, you have no legal basis from which to make a complaint if something doesn't go the way you expect it to.

I've seen authors lament their position before, where they've handed over their babies to a publisher who never wrote out what they would do. The book gets published with a crappy cover, poor editing, and without a written agreement, the author has little recourse to resolve these disputes.

What Should a Publisher Provide?

I think the biggest reason people fall into traps is because they don't know what to expect from a real publisher. Not every publisher will do everything for you, especially if it's an indie publisher, but most will offer a selection of the following services:

• Editing

• Cover Design

• Book Blurb Writing

• Formatting

• Print Publishing

• eBook Publishing

• Website Design

• Branding

• Marketing

A really good publisher will include you in every step of the way. You should have frequent contact with a representative of the publisher, and they should always be willing to answer your questions. Remember: this is your book. Don't let them push you around or make threats. If they are evasive or dishonest with you, or try to change their claims after the fact, walk away and take your books with you.

When I got involved with a scam publisher, I was grateful that I saw the warning signs before I could get burned. I walked away in plenty of time to salvage my book and do the rest myself. My hope is that with this advice, I can help many more of you avoid the sharks in the water, and find your sunken treasure!

But I digress.

You will still insist on comparing your work to another's, and so I'm going to show you how to do that without looking like a tool.

What's the Big Deal?

There's an art to comparing your work to another's without looking presumptuous. Even if you're careful, it's subjective. One person may look at it and think it's just fine, while another may scoff at you. Some agents want a comparison, which may leave you in a tough spot if you haven't practiced this. I can't stress enough that you should always follow an agent's submission requirements.

So how do you work in a comparison with the same elegance that you used to write the rest of the pitch?

Research!

Research is key. Find other works that really are a good match for yours. There are millions of books out there, so don't automatically fall back on the blockbusters. In fact, don't use blockbusters at all. Nothing will get your pitch trashed faster than mentioning Harry Potter, Twilight, or Fifty Shades.

No matter how unique you think your work is, you can be certain that somebody, at some point in history, has written a book that includes at least some common elements with your work. You don't need to read every book in the world to find that one perfect match. Just show the reader that you've done your homework and know where your book fits in amongst all the other millions of books out there.

It's Not What You Say, It's How You Say It

Consider the following comparisons:

• The Time Weaver takes concepts introduced by Stephen Donaldson, and makes them a masterpiece.

• Stephen Donaldson's parallel worlds trope gets a makeover in the exciting epic fantasy The Time Weaver.

• The Time Weaver is an epic fantasy in a style similar to Stephen Donaldson with a fresh new world, and a splash of originality.

In the first one, I'm being pretentious. I've not only played up my book far beyond its level, but I've downplayed another author in the process. Don't do this.

The second one is a little better, but I'm still suggesting that I've done it better than an established author. There's a fine line to walk here.

Finally, in the third one, I'm drawing a comparison and telling the reader that I've matched an established author, and am bringing something new to the party. Perhaps I'm offering up new explanations for an event, or a new way of looking at an old concept. Bringing in a new world of my own design is a big deal, and will show the reader that I'm not only willing to work hard, but I recognize the value in starting fresh.

Be careful though. Don't downplay your own work. The reader must believe at the end of the pitch that your work is worth the effort to take on and try to sell. If you don't believe in your own work, it will show.

Keep it Brief

A comparison in a pitch should be brief. Don't waste more than a line or two on it. Every word will matter, so choose carefully. The pitch should sell your story, not how your story relates to the rest of the writing market.

Beware the Pigeonhole

One of the worst parts about comparison is that you risk putting your work into a specific category that it doesn't belong in. This is why the choice of what to compare it to is often more important than the comparison itself. Try to find works that will leave multiple interpretations, and let the reader make their own decision. You may be targeting the romance market, but perhaps the agent you are querying sees an opportunity in the paranormal market for your book? Don't make that decision for them.

When all is said and done, you want to leave them imagining your book next to others in a book store, or better yet, in the front window. The right comparison can inspire their imagination and get them excited about taking on a new challenge. Agents and editors who agree to take on a book are making a multi-year commitment to your work and won't make these decisions lightly.

But if you're good enough, you can make the decision for them. Good luck!

If you enjoyed this, you'll probably like Writing the Perfect Pitch, Parts I & II.

It's Free!

It's hard to argue with that, but this is more than just a price tag. FOSS is free from restrictions, free from complicated end user license agreements, and free from centralized control. If you have the right knowledge and experience, you can take the source code from FOSS and change it to suit your needs.

The cost is also an important factor. FOSS is top notch software, and can be downloaded and used for any reason, free of charge. Imagine if you had to pay for Windows, Office, PhotoShop, and all the other software required to build a book. The cost is astronomical for commercial software. I haven't paid a penny for the software I use to produce my books.

Quality Over Price

FOSS is some of the finest software I've ever used. Designed and built by a whole community of developers, it ensures that hundreds or even thousands of eyes have seen the software before it goes out for public consumption. When I install Linux, I don't have to worry about whether something is going to work or not. Everything is installed and works out of the box. Linux installs with almost everything you need to create top quality books.

What About Community?

Like I said before, FOSS is built by a whole community of developers, who work and function like a team, rather than a corporation. They aren't in it to make a fortune. Many volunteer their time to build the features we need, and fix the bugs that hold us back. The level of support for FOSS is incredible, and unmatched by any corporate offering.

My wife once spent over an hour installing software to get a printer to work in Windows. When we had to get the same printer working in Linux, do you know what we did? We plugged it in, and it worked. No install, no fussing with drivers. Amazing, yes?

Like a Rock

I run Linux on all of my computers at home. My web server currently has an uptime of 109 days. My desktop is around 6 days, and that's only because I was doing something with my hardware. When you use FOSS, you grow to expect stability as a way of life. No unexpected crashes, no blue screens of death, no lost data, just smooth sailing.

Not Convinced?

Okay, so I probably sound a little preachy by now. But seriously, if you're ever in the market for a new operating system, or feel like trying something new, give Linux and FOSS a try. I use Linux Mint 15 right now, and it's marvelous. If you do try it out, and find yourself having trouble with anything, contact me and I'm more than willing to help you out of your jam.